Veena is an
unusual instrument to do the background for a polyphonic arrangement. However,
we have seen Raja use this instrument in every possible situation that no
longer it is possible to typecast this instrument with any genre. We have also seen Raja use veena extensively
as a part of his CaRe arrangements. In this post, we will discuss Raja
compositions that have veena as the background instrument to his PolyCaRe
arrangements.
In this
post, we will particularly focus on his interlude compositions in the 198x. As
we made it very clear in the definition, the PolyCaRe arrangement not only
requires a background synthesizer melody, it also requires two call and response
melodies in the foreground played according to our rules of CaRe arrangements.
Let’s begin
with the song ‘Kalise Prati Sandhyalo’ from Aalapana (Telugu 1985). This segment, has
synthesizer as its background instrument. Here is how the segment is
structured:
Song
|
Film
|
Year
|
Background instrument
|
CaRe - Instrument1
|
CaRe - Instrument2
|
Kalise Prati
Sandhyalo’
|
Aalapana
|
1985
|
Veena
|
Sitar
|
Flute
|
This is one
of the most unusual PolyCaRe arrangements you will hear of Raja.
- The first 2 seconds is a Indian melody played with the veena. This is the melody that continues throughout the clip as the background melody
- Between 3 and 10 seconds, the sitar joins in the foreground playing a counter melody, again and Indian one. Two Indian instruments playing Indian melody in counter. Please show me a composer who can do this!
- While all this is going on, between 5 and 10 seconds, if you pay close attention, the flute and the sitar is having a CaRe play while the veena continues in the background. Genius!
- The remaining parts of the clip have conventional CaRe in play between the veena and the flute
The
foreground melodies can stand on their own feet as simple CaRe arrangement. The
background synthesizer melody makes them polyphonic and hence PolyCaRe. There
are 4 foreground melodies playing on top of the constant background synthesizer
melody in these 7 seconds.
Let’s hear
the stroke of PolyCare arrangement genius of Raja in the song Kalise Prati …
Let’s next
focus on the interlude of the song ‘Unnai Kaanum Neram’ from Unnai Naan
Sandhithaen (Tamil 1986).
This
segment, has synthesizer as its background instrument. Here is how the segment
is structured:
Song
|
Film
|
Year
|
Background instrument
|
CaRe - Instrument1
|
CaRe - Instrument2
|
Unnai Kaanum Neram
|
Unnai
Naan Sandhithaen
|
1986
|
Veena
|
Violins
|
Flute
|
- The first three seconds are a veena play to set the background melody that plays throughout the clip
- Between 4 and 19 seconds, the violins and the flute do the CaRe play while the veena continues in the background
The
foreground melodies can stand on their own feet as simple CaRe arrangement. The
background synthesizer melody makes them polyphonic and hence PolyCaRe. There
are 3 foreground melodies playing on top of the constant background synthesizer
melody in these 19 seconds.
Let’s hear
the PolyCare arrangement in the song Unnai Kaanum Neram …
1 comment:
Kalise Prathi Sandhyalo has been one of my most favourite songs of Ilayaraja, especially both the interludes! It's takes one to some other plane of being, weaving the layered thread(s) of music as it goes! Isn't there a tabla involved in this interlude?This song is the highlight of the Aalapana album for me, along with Priyatama thama.
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