This involves a number of call and response arrangements that have a symmetrical pattern and also includes a musical bridge. With two instrument based C&R arrangements, I have not observed any symmetry around a bridge. In other words, I have not come across a Raja composition that has a musical bridge in the center with perfectly symmetrical C&R arrangements on either sides of it. In the previous post, there were two songs that had perfectly symmetrical but had a bridge at the end of the interlude. For the purposes of demonstration of a perfect symmetry with two instruments, we ignored the bridge at the end of the interlude.
- Melle Melle Vannu Chernu from Apaaratha (Malayalam 1991)
- Oli Tharum Sooriyanum from Vaalmiki (Tamil 2009)