We will
continue the journey on PolyCaRe arrangements of Raja, with his compositions
based on synthesizer as the background
melody instrument. In this post, we will particularly focus on his interlude
compositions in the 200x. As we made it very clear in the definition, the
PolyCaRe arrangement not only requires a background synthesizer melody, it also requires two call and
response melodies in the foreground played according to our rules of CaRe
arrangements.
Let’s begin
with the song ‘Thoorigai Indri’ from Ajanthaa (Tamil 2007). This segment, has synthesizer
as its background instrument. Here is how the segment is structured:
Song
|
Film
|
Year
|
Background instrument
|
CaRe - Instrument1
|
CaRe - Instrument2
|
Thoorigai
Indri
|
Ajanthaa
|
2007
|
Synthesizer
|
Violins
|
Flute
|
- The first two seconds are filled with the synthesizer melody that is the background melody of this clip
- Between 2 and 11 seconds, the call is made by the Flute for which the response is from the violins. While this is going on, observe that the background synthesizer melody keeps playing. The clip has 4 CaRe arrangements
The
foreground melodies can stand on their own feet as simple CaRe arrangement. The
background synthesizer melody makes them polyphonic and hence PolyCaRe. There
are 8 foreground melodies playing on top of the constant background synthesizer
melody in these 11 seconds.
Let’s hear
the modern PolyCare arrangement of Thoorigai Indri…