Other complex CaRe arrangements

In this section, we will review a few tracks where Raja has used 5 or more instruments in a C&R mode to create his interlude. As we have seen with the 4 instrument combination, it is hard to go look for symmetry in these arrangements. It is the C&R packing density that one has to look at with these arrangements. Technically, these C&R arrangements do not qualify to be part of symmetry analysis.

One such song is Meenamma Meenamma (Tamil 1989). Let’s analyze the way the 1^st interlude of this song is orchestrated by Raja. Though not symmetrical, Raja uses six instruments and creates an interlude purely dotted with C&R arrangements.  It is structured this way:

Sax-Ve

Gu-Vi x2

Sax-Ve

Gu-Vi x2

Ve/Fl-Vi x2

Sy-Vi x2

In short form, the arrangement pattern can be said as 1+2+1+2+2+2. 

With the Sax and the Veena thrown into the mix, Raja manages this interlude with aplomb though the intent is not to get symmetrical. All these 10 C&Rs are managed within the usual 20 plus seconds with ease.  The Veena/Flute/Volins part throws the wrench in the works, apart from the last C&R that uses a Synthesizer as well. Had Raja continued the pattern from the first 4 C&R in a progression, this could be technically symmetrical. However, as I have repeatedly said, symmetry does not buy you much when it comes to a melodic arrangement in a fast paced world of film music. This interlude is packed with 10 C&Rs and creates a very melodic interlude keeping the pace of the main song intact. 

Let's hear Meenamma...